b'over the rainbowFindingand engaging Resene hues. It was evident how much thought hadwiththetimes,andforme,usingsustainablematerialswasabove: The UnderCover Bistro can be folded up into aResene timeAwashbeen put into it, and it earned her a Resene Total Colour Risingmandatory. I also wanted to create something that did not leaveplywood box when not in use. When open for business, Star Colour Maestro Award. Dubbed The UnderCover Bistro,a lasting imprint and, like Carriageworks itself, could develop intoit springs forth to show off its colourful chameleon skinArtist Edward Waring shares how featuring Resene Birthday Suit, Resene Rouge, Resene Sarah had designed a pop-up restaurant within Carriageworks,something else over time. Tussock, Resene Jandal, Resene Tom Thumb, Resenecolour and memory are entwined awell-knowninstitutionintheheartofSydneysRedfernSarah says she spent hours labouring over the colour choicesOracle, Resene Botticelli and Resene Awash. WhenResene in his latest collection of works.neighbourhood,aspartofaschoolassignmentwhichwouldthat would bring character to the pop-ups different components,its closing time, the pop-up restaurant is disassembledOraclecome to life during the citys annual art festival. Her concept wastoying with many different combinations along the way. I decidedand ready to take on another creative form.themed around a chameleona reptile that famously adapts toto select Resene colours that were both playful and unexpectedResene Resene Resene I natimewhensomanyoftheornamentsthatfillourspacesare its surroundings by changing the colour of its skin. Similarly, hersothattheuserswouldexperiencethespacedifferentlynoBirthday Suit Tussock Botticelli disposable, theres a lot to be said for objects that were made to last temporary structure transforms, folds and shape-shifts to suitmatter where the modular components were situated. I reallyResene Resene Resene but no longer fit within our tastes and design preferences. Its a thought whatever environment and purpose is required of it. enjoyedhowthevariouscolourcombinationschangedtheRouge Jandal Tom Thumb that artist Edward Waring has become deeply connected with. His latest This project is really close to my heart, and it was the firstoverall feeling of the space. I also managed to source an Eperaracollection encourages us to seek out the hidden beauty and excitement time I tried to capture all the parts of my background and pieceSiapidara pendant designed by Alvaro Cataln de Ocn for PETin what we now consider the mundane or prosaic and challenges us to dig themtogethercreatingaconcept,interior,brandingandLamp that perfectly complemented my finalised Resene colourshe says every day is different. As she looks to further grow thedeeper into often overlooked histories.human-centred experience, explains Sarah. After researchingpalette. I love how the lamp and paint speak the same colour andinterior design portion of her business, Sarah has been thinking aOriginally from Lyttelton, Edward first left home to pursue fashion Carriageworks, I learned it was once a coal factory and that thedesign language. lot about what her path forward could look like. I am conjuringdesign at Wellington Polytechnic in 1973. But after a year and a half building has changed over the years to suit the times and shiftingBefore getting into the interior design world, Sarah says sheup a future that embraces all parts of me, and I am hoping thisof studying, he realised that it wasnt really what he wanted to do. He demographics.Forme,therewasaniceconceptualthreadhad long been admiring Resene from the sidelines. Since my dadincludes creating conceptual commercial spaces. Rather thanleft the programme for a job with the Royal New Zealand Ballet where between a space that has transitioned from a coal factory to awas a painting contractor, he used Resene and used to talk aboutforce myself into one lane, I have recently learned to embracehe worked his way from stagehand to stage manager. In 1979, Edward performance space and a farmers market; that the buildings andthe quality of their products. Creating colours and naming themthat I am more than one thingan interior designer, graphicrelocated to Sydney and worked in film and television before launching land have been evolving over time. The history is colourful andis a skill; I love Karen Walkers Resene colour palette and thatdesigner and art director. My career doesnt have to fit into aa company which supplied locations for photography and commercials. parts of it have faded into the background. a fashion designer can switch lanes and produce a harmoniousperfect little box.Since selling that business a number of years ago, he has been a full-Initially,Sarahconsideredcreatingamirroredstructurepaint collection. Thats inspiring to me. time artist focused primarily on sculptural assemblages of materials that that would both reflect and blend in, but she instead opted forSincegraduating,Sarahhascontinuedmulti-taskingTo learn more about Sarah and her multi-disciplinary work, were once prized and have since fallen out of use, such as old glass, plywood. I wanted to steer away from visual clichs and movefreelancing for ad agencies while also designing interiorsandvisit www.straker-williams.com. Meccano toys and childrens dolls.30 blackwhitemag.com blackwhitemag.com 31'