This technique gives a similar effect to a wash, but takes full advantage of the properties of metallic paints from the Resene Special Effects and Metallics range. To get an even finish with metallic paint, you would normally spray the paint onto the wall. But this effect allows you to brush it on, and get a subtle luxe look at the same time. Simply apply the tinted basecoat recommended with your chosen metallic colour by roller, then brush on the metallic in random criss-cross strokes (this is Resene Allusive). For extra texture apply Resene Sandtex tinted to the recommended basecoat colour with a brush using a criss-cross technique, then your chosen Resene metallic colour with a brush using a criss-cross technique. metallic brushed Another great aged effect is a crackle finish. And with Resene FX Crackle, it takes very little effort. The crackle glaze allows peeks of the base colour to show through and contrast with the topcoat colour. Apply a basecoat of colour (this is Resene Sambuca), then brush on a smooth even coat of Resene FX Crackle. Allow to dry then fairly quickly, brush on your topcoat colour (this is Resene Castaway). Apply in one direction. As the paint dries, the cracks will form. This happens quite quickly. Don’t brush the paint once it has crackled otherwise you will damage the finish. crackle finish Resene Castaway Resene Sambuca Resene Quarter Rice Cake Resene Allusive Dry-brushing is an easy way to achieve a bronze metallic look with a verdigris finish. Here’s how: 1Apply one or two coats of Resene Deep Sea and allow to dry. 2On a plate, thin Resene Bismark with a little water to make a wash, and apply over the basecoat allowing it to run into any crevices. Use a cotton cloth to remove any excess and runs. ‘gilding’ dry-brush Resene Bismark 3Mix equal amounts of Resene Gold metallic and Resene Black Magic on a plate. Pick up a little paint on the brush and work it through the bristles using a paper towel. Lightly brush the paint across any raised areas, leaving the green showing in the crevices. Build the colour up slowly until the raised areas are a solid colour. 4Using the same technique, apply Resene Gold metallic sparingly over the brown areas. Build up slowly until you have achieved the desired effect. Spattering (right) is showering a fine spray of paint onto a surface by running your finger across a paint-loaded brush. Superb colour effects may be built up using three or four variations or tones of the same colour over the basecoat. Include a very light and a very dark tone to give variety. The basecoat usually remains the overall dominant colour. Toothbrushes, stencil brushes and old short bristled paint brushes are all ideal tools to use. Whichever brush you use, practice on paper first. And use plenty of dropcloths – this is a messy process! Stippling (left) can give a similar look or a much denser finish, depending on how much paint you apply. Paint a basecoat of colour first, then use a stiff brush or the wooden end of a paint brush, held at right angles to the surface, and dab the colour on to the surface. Leave a little of the base colour showing through. This gives a lovely, rich, textured finish with no brushmarks. spattering and stippling Resene Triple Concrete Resene Pravda Resene Zeus Resene Seashell Resene Gargoyle Resene Gold Resene Deep Sea Resene Black Magic Resene Melodic Resene Gold Dust | 11 10 |